This is neat. Because our own Christy Blanch is a guest this coming weekend at Motor City ComiCon–in part thanks to her work with Chris Carr and Chee on THE DAMNATION OF CHARLIE WORMWOOD–she wanted to have something in-hand that she could use as a sales and promotion tool to target fans unfamilar with Thrillbent or WORMWOOD. So we did a little (okay, a lot of) production work to assemble the first five digital chapters of the Blanch/Carr/Chee masterpiece THE DAMNATION OF CHARLIE WORMWOOD into a 32-page print comic.
It’s a small run of 300 because as I keep saying, print is expensive. Plus, we had to pay a high premium for a rush job (because we were learning the finer points of print production as we went, on the fly, and that took time). I bring this up not to complain (or to taunt completists who have no way to buy a copy because they’re not at Motor City), but to explain why we don’t (yet) have print copies for sale beyond those 300–
–and because next week sometime, I plan to write a comprehensive blogpost about how we retro-engineered from digital to print given all the non-duplicable digital techniques Chee uses. It was a fascinating process, even if it did shave years off my life. I’ll run some compare-and-contrast examples. Stay tuned. And in the meantime, if you’re at Motor City (or in Muncie at our store, Alter Ego Comics, co-publishers of the print comic), feel free to purchase a signed copy, and we thank you for your support.